
Features nesting (redd) behavior toward end of video near top. Underwater ROV video of Kokanee Salmon spawning in Lake Pend Oreille, Idaho.

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Let the Good Times Roll with this must have debut! Just What I Needed and more!American art-rock was often stilted and lacking in humor until the New Wave arrived. Liberated by the influence of the Velvet Underground, Roxy Music and punk-era fellow travelers like Blondie and Suicide, the Cars methodically linked hookiness (enough to produce three hit singles and several other FM favorites from this debut album) and at least one raised eyebrow. The result still plays as a rock & roll classic. And if charm wasn’t their aim, the fact is, it’s undeniable. –Rickey Wright
Hank Williams, Jr.’s Greatest Hits, Vol.1

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This is Hank Jr. in his late-’70s/early-’80s version, that brief moment after he’d discovered a sound and persona that wasn’t just inherited but before he devolved into a good-old-boy caricature. Not that Bocephus isn’t engaging in some posturing here already–the preposterous “Texas Women,” for example, could stand unaltered as a Saturday Night Live parody of redneck lechery. More often, though, the 10 hit singles on this disc combine a low-key brand of Southern rock boogie with plenty of twang to fashion a wholly distinctive take on country tradition. Williams’s work here is always indelible, and though he likes to drop his daddy’s name a bit too often, it’s hard to argue with introspective numbers like “All My Rowdy Friends (Have Settled

www.thestream.tv – Iliza Shlesinger gives you the hard hitting facts that hold you after. The Weakly News. Season 3. Episode 4. Co-Host Alexis Archer. Director Brian Gramo. Original live broadcast on February 1, 2011 on Justin.tv. Special Guest J. Chris Newberg. THIS WEEK: Egypt loses it’s shit; Egyptologists; Salmon Idaho, Chinese air force drill looks awfully similar to “Top Gun”; Snow storms cripple the country, except for California; Who Should Be Shot with Judge Roger Vinson vs. Barack Obama on Health Care; Nerd News on Japan’s Super Robot. Watch this classic of Chris’ last appearance: www.youtube.com theStream’s Homepage: www.thestream.tv Donate to the Show www.thestream.tv Follow us: www.thestream.tv www.thestream.tv www.thestream.tv Follow us on Twitter: Iliza Shlesinger – @Iliza Brian Gramo – @BrianGramo theStream.tv – @theStreamDotTV
- In this movie based on the life of Russel Simmons, hot young record producer/manager Russel Walker has all the hottest acts on the record label Krush Groove records. The acts include Run-DMC, Dr.Jekyll and Mr. Hyde and Kurtis Blow. When Run-DMC has a hit record and Russel doesn’t have the money to press records he borrows money from a drug dealer/loan shark. At the same time Russel and Run are bot

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In this movie based on the life of Russel Simmons, hot young record producer/manager Russel Walker has all the hottest acts on the record label Krush Groove records. The acts include Run-DMC, Dr.Jekyll and Mr. Hyde and Kurtis Blow. When Run-DMC has a hit record and Russel doesn’t have the money to press records he borrows money from a drug dealer/loan shark. At the same time Russel and Run are both competing for the heart of Sheila E.Like its progenitors Beat Street and Wild Style, Krush Groove is a movie about hip-hop that in its rush to document an emergent culture ignores plot, acting, cinematography, and anything else that makes a movie watchable or worthwhile. That said, Krush Groove contains some nifty performances from hip-hop legen

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2010 release, the fifth studio album from the Alt-Rockers. With Smoke & Mirrors, Lifehouse, along with longtime producer Jude Cole, have created a set that combines their live sound with great record making. Smoke & Mirrors started out as a mission to capture the live, ROCK side of the band. A trip back into the studio gave them a chance to also tackle their ‘record making’ expertise. The album properly defines the best that Lifehouse has to offer.

Celebrated novelist Foer (Extremely Loud and Incredibly Close, 2005, etc.) examines the ethics and practical realities of eating things with faces. The book is a surprising but characteristically brilliant memoir-investigation, boasting an exhaustively-argued account of one man’s decade-long struggle with vegetarianism. On the eve of becoming a father, Foer takes all the arguments for and against vegetarianism a neurotic step beyond and, to decide how to feed his coming baby, investigates everything from the intelligence level of our most popular meat providers-cattle, pigs, and poultry-to the specious self-justifications (his own included) for eating some meat products and not others. Foer offers a lighthearted counterpoint to his investigation in doting portraits of his loving grandmother, and her meat-and-potatoes comfort food, leaving him to wrestle with the comparative weight of food’s socio-cultural significance and its economic-moral-political meaning. Without pulling any punches-factory farming is given the full expose treatment as well. Foer combines an array of facts, astutely-written anecdotes, and his furious, inward-spinning energy to make a personal, highly entertaining take on an increasingly visible, moral question. (Review from Publishers Weekly)


